We’ve just received a number of new 2018 models from Gibson, and this absolute gem was in the package – a Gibson Les Paul Standard in Cobalt Burst, a dynamite blue finish.
This instrument has sold
MORE →We’ve just received a number of new 2018 models from Gibson, and this absolute gem was in the package – a Gibson Les Paul Standard in Cobalt Burst, a dynamite blue finish.
This instrument has sold
MORE →The Ratliff R5 mandolin is built by hand in Church Hill, Tennessee, part of a small lineup of F style and A style mandolins. The company was originally started to produce left-handed F-Style instruments, but has grown to produce right hand models, and offer both F hole and oval hole verions.
This instrument has sold
MORE →Here’s an interesting archtop guitar carrying a bit of world and local history – a Hopf archtop guitar built for and imported by Remeny Music in Toronto. There are two names associated with this instrument, Hopf and Remeny (now spelled in its original Hungarian form as Remenyi). Both have significant histories affected by European wars and trends. Hopf has been a well-established German maker of classical instruments since 1909 with interruptions during the world wars, but in the postwar era and until the 1970s built or commissioned archtop and electric guitars.
This instrument has sold
MORE →The Gretsch G6120-1959LTV isn’t currently in production, but it represents the specs of the famous 1959 Gretsch Chet Atkins models, with lacquer finish, zero fret, Trestle bracing and TV Jones Classic pickups. Technically, this guitar isn’t a Chet Atkins model, as at time of construction Gretsch had not re-obtained the rights to the Atkins name. Still – the rest is the same. Based on a 16 inch wide, single cutaway body with sides 2.75 inches high. It was originally built with a bracing system combining a pair of tone bars running the length of the body plus a sound post under the bridge, but in 1959 Gretsch added a ‘Trestle’ bracing system for Chet Atkins, who was facing the common problem of hollow-body guitars feeding back at ever-increasing stage volumes.
This instrument has sold
MORE →The Gibson BB King Lucille was created for the very real needs of a constantly working guitarist dealing with the reality of stage volumes. BB King led a relatively large band, and tended to turn his amp to 10 and control volume from the guitar. This could easily result in wild feedback.
This instrument has sold
MORE →This Douglas Harrison GB jazz guitar features a stunning hand carved spalted maple top with deep vibrant flame figure, a chambered tropical mahogany body that has been subtly shaded on the edges to enhance its natural warm glow — all offset by some premium Macassar ebony utilized in the fingerboard, tailpiece, bridge and peghead veneer.
This instrument has sold
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