The new 2019 Gibson Les Paul Standard features the popular asymmetrical Slim Taper neck profile with Ultra-Modern weight relief for increased comfort and playability. Impeccable looks are highlighted by the powerful tonewood combination of mahogany back and carved maple AAA figured top.
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The Gibson ES-125 made its debut in 1941 as a student model – an affordable archtop electric, of maple laminate, one pickup and little decoration. Originally fitted with a ‘Blade’ style pickup, by 1947 a standard P90 was used. Production lasted until 1970. In 1956, the new thin body ‘ES-125T’ appeared and was available with two pickups and a cutaway.
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Introduced in 1958, the Gibson ES-335 was one of the most significant guitar innovations and examples like this 1961 dot neck model are rare. Aimed at jazz players needing to play on ever-louder stages, the ES-335 had to provide arch-top tonality with feedback resistance. This wonderful example dates to 1961 and was built at the historic Kalamazoo, Michigan Gibson plant. It is a TDC model – Thin body, Dual pickup, Cherry finish.
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Introduced in 1962, the Epiphone Riviera followed the new Gibson Thinline design of thin archtop with a center block. The Riviera was a relatively plain model, with two small humbuckers and a Frequensator split trapeze or Vibrola tailpiece. It was built until 1970, when the Norlin management shifted Epiphone production to Japan. The full designation for the model is Epiphone Style E360 Riviera, and in this case it is an E360TDC for Thin, Dual Pickup, Cherry finish.
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The Gibson ES-330 is a fully hollow but thin bodied archtop model, available with one or two pickups, in sunburst, natural, cherry or walnut finishes. The example here is an ES-330 TDC – Thinline, Dual Pickup, Cherry finish. Typical of Gibson thinline electrics, the body is a Maple laminate. The neck is Mahogany with a Rosewood fingerboard.
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In the 1980s, the great Jazz guitarist George Benson entered into a collaboration with Ibanez to produce a series of signature archtop electric guitars, including the Ibanez George Benson GB10 BS and its fancier sisters. These guitars were immediately popular with other jazz players, because the design addresses real needs. The body is comfortably compact, and while its hollow, F-hole body design provides real archtop resonance, responsiveness and ‘thump’, the solid spruce top is carved to dramatically reduce feedback at performance volumes.
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