The Eastman SB59 V reflects the classic late 1950s design for a single cutaway, Flamed Maple on Mahogany solidbody with humbucking pickups. While it follows the formula, it’s not a precise copy and Eastman uses their own designs. As a ‘Vintage’ style model, this guitar has undergone an treatment process to simulate the wear of decades of use – except for fretwear.
Archtop
Here we’re looking at a Gretsch Chet Atkins 6122 Country Gentleman built during 1963, the same year as Harrison’s. This fine example is in very good condition, and is original except for the addition of a Gibson style, gold plated tune-o-matic bridge in place of the rocking bar bridge. The finish is worn on the neck where it’s been played – the frets are original and have expected wear – but the guitar has been well cared for and the finish is in overall good condition.
This instrument has sold
MORE →Here’s a very nice, discontinued and rare Gibson ES 275 P90 model from the now-closed Memphis Gibson shop, featuring a fully hollow body and a pair of MHS P90 pickups. Built like a traditional archtop but with a thin body and the appearance of a vintage model, the Gibson ES 275 P90 uses a Maple Laminate body with Mahogany for the body blocks and neck, Indian Rosewood for the fingerboard and pinned bridge base, vintage style 3-diamond tailpiece and knobs, and a Script Gibson logo.
This instrument has sold
MORE →The Harrison GB Custom has become a very successful instrument for jazz guitarists, and was developed with the late Gary Benson, a prominent Toronto player and teacher. This Harrison GB Custom features a Quilted Maple cap on a chambered Mahogany body and a Mahogany neck with a Maple-bound Ebony fingerboard fitted with Stainless Steel frets. The custom built tailpiece is also Ebony.
This instrument has sold
MORE →Here’s a wonderful rarity and a natural blonde, a Guild GSR x180 archtop electric with a Spruce laminate top, dating to 2013. GSR stands for Guild Special Run, and this example is number 11 of 20 built. Originally, acoustic archtop guitars used solid, carved Spruce tops paired with solid, Maple for the sides and hand carved back. However, once pickups and amplifiers became more available and standard equipment, it was discovered that the tonal subtleties of the solid Spruce top could be overwhelmed by feedback.
This instrument has sold
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