The Collings SoCo LC draws from the classic thinline archtop electric designs pioneered by Gibson in the late 1950s, proven through decades of professional use.
This instrument has sold
MORE →The Collings SoCo LC draws from the classic thinline archtop electric designs pioneered by Gibson in the late 1950s, proven through decades of professional use.
This instrument has sold
MORE →The Gibson ES335 Studio uses the same concepts as the standard ES-335 models, but reduces costs by simplifying appointments and using a Torrefied Maple fingerboard in place of Rosewood. The body is unbound, while the fingerboard has black binding that does not cover the ends of the frets, a practice that for Gibson only occurred at the Memphis plant. Built at the now-closed plant in Memphis Tennessee and Dating to April 15 2014, this Gibson ES335 Studio is in overall good condition with minor play wear.
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MORE →Built to compete with the Gibson L-7 and Epiphone Triumph, the Vega C56 Archtop was built from the 1930s until 1950. It was was Vega’s most popular full sized guitar and featured a solid Spruce top with Maple sides and back, Mahogany neck and Rosewood fingerboard. Here we have a Vega C56 archtop in the natural finish introduced in 1940. The serial number is somewhat below other models known to have been produced in 1940, so there’s a possibility this example was built in 1939. The top is solid Spruce, likely Adirondack.
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MORE →The PRS Custom 22 10 Top is a spectacular guitar in any finish, and the Black Cherry stain on this 1994 example is stunning. The Custom 22 was first based on the PRS Dragon, but without the fancier inlay or trem. In 2015, the stoptail bridge was discontinued and the trem bridge took its place. Introduced in 1993 and built till 2009 and again since 2013, the PRS Custom 22 uses proven construction and materials – a carved Maple top on a double-cutaway Mahogany back, with a Mahogany neck and Indian Rosewood fingerboard.
This instrument has sold
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