The Boucher Heritage Goose HG-26 is based on the traditional 12 fret, 000 body design, with a slotted peghead to increase string downbearing at the nut without increasing head pitch. This helps add clarity, separation and sustain to open string notes. Here, Boucher has paired the Adirondack Red Spruce with African Bubinga. The neck is Mahogany with Ebony used for the headplate, bridge, and fingerboard.
Acoustic
The Boucher Studio Goose SG-41 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Brazilian Mahogany to provide clear, crisp tone and immediate response.
The Boucher Richard Bennett signature series model is based on the classic Dreadnought body, pairing an Adirondack Spruce top with Brazilian Mahogany for the body and neck. This combination provides a full tone with crisp sparkling highs and fast response. Decoration on the Richard Bennett model is minimal – it focuses on tone and performance.
This instrument has sold
MORE →Sharing many features with the SG-21 and SG-41, the Boucher Studio Goose SG-51 features an Adirondack Spruce top but with Indian Rosewood back and sides. The Studio Goose SG-51 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Indian Rosewood to provide warm, crisp tone . The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.
This instrument has sold
MORE →We’re starting off the day with an interesting Gibson L-0 guitar dating to 1927 that was originally sold through T.E. Bevan and Co. Ltd at Grosvenor House in Calcutta.
This instrument has sold
MORE →Here we have another Martin D-28 Brazilian Rosewood Dreadnought steel string guitar dating to 1969. This was officially the last year that the Martin guitar company used Brazilian Rosewood, though it was found in smaller portions until about 1973 when their last supplies were exhausted. The Dreadnought steel string, as found on guitars like the C F Martin D-28 Brazilian and the rest of their ‘D’ line, has been one of the most successful guitar designs. Used by countless guitarists and on many recordings, the Dreadnought brought banjo-matching volume.
This instrument has sold
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