Built from 2007 to 2012, the Taylor GA3 served as an entry point to the Grand Auditorium line, pairing a Sitka Spruce for the top and braces, with Sapele for the sides and back.
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MORE →Built from 2007 to 2012, the Taylor GA3 served as an entry point to the Grand Auditorium line, pairing a Sitka Spruce for the top and braces, with Sapele for the sides and back.
This instrument has sold
MORE →The Larrivee L-02 LH is the Left Handed version of the standard L-02, using the classical-derived L body with Spruce top and Mahogany for the back and sides. Jean Larrivee began building classical guitars in the early 1960’s with a significant amount of information from Edgar Monch, the noted German builder who was working in Toronto at the time.
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MORE →Here is an historic piece – one of Lenny Breau’s Ramirez 1a Flamenco Guitars, built during 1961 and used during many appearances with Lenny as seen in the attached clips. The first clip is from is a CBC documentary from 1968 with Lenny playing the guitar with its distinctive friction tuners, and the visible, protective tap plates (Golpeador). Note the technical deviation from ‘strictly traditional’ Flamenco style – the use of a thumbpick, very likely a Chet Atkins influence.
The Guild JF-30C is a rare bird, built in small numbers during 1988 and 1989 in Westerly, Rhode Island as a cutaway version of the 17 inch jumbo JF-30. A quirk of this example is that the label identifies it as a JC-30. Some non-cutaway JF-30 models were also identified as J-30 on the label.
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MORE →The Ramirez Model 1a Tradicional, seen here with a Red Cedar top, has been a benchmark of top quality classical and flamenco guitars for over half a century. The 1a designation technically refers to the quality of the materials and workmanship, but has become associated with the Tradicional model.
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MORE →Built in a run of 818 guitars from 1987 to 1990, the Martin D-16A is a traditional dreadnought built with Ash for the sides and back. The Dreadnought or D body first appeared in 1917 in guitars built for the Ditson Company of Boston. Martin first listed the D-18 in their catalog in 1931 as a 12-fret model and the 14-fret neck appeared in 1934. It became the single most common guitar size, only in recent years being challenged.
This instrument has sold
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