By the early 1960s, amplifiers were rapidly increasing in power – and weight – and combos were split into two sections, like the Fender Bassman piggyback amp seen here.
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MORE →By the early 1960s, amplifiers were rapidly increasing in power – and weight – and combos were split into two sections, like the Fender Bassman piggyback amp seen here.
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MORE →The Fender 65 Deluxe Reverb Reissue delivers a full, rich tone in a compact 22 watt 1×12 package, and has been one of the most used guitar amplifiers.
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MORE →The Carr Skylark 1×12 is a small amp with big features – twelve tube watts into a single 12 inch speaker, tube reverb, and a built in attenuator control that can take the output power down to one-hundredth of a watt.
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MORE →Built from 1946 to 1965 in evolving forms, the Fender Pro Combo amp was the largest of three amplifiers offered when Fender opened. It was replaced in 1966 by the Pro Reverb.
From its first 18 watt incarnation to its 40 watt exit in favour of a Reverb-equipped model, the Fender Pro combo amp featured a single 15 inch speaker. As a higher powered amp, its ‘Harmonic Vibrato’ circuit differs from that used on models past the Vibrolux.
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MORE →Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 45 watts by 1962, and was discontinued in 1963.
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MORE →Introduced in 1952 and built until 1954, the Gibson GA40 Les Paul Version 1 amplifier was designed and built in-house at the Kalamazoo plant. It had two channels, with three ‘Instrument’ inputs on one channel and one ‘Microphone’ input on the other, and delivered 14 watts through a single Jensen P12Q 12 inch speaker.
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