One of the most commmon bass amplifiers of the 1950s was the Fender Bassman, and it was also the basis of many guitar amp designs, including the Marshall line.
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MORE →One of the most commmon bass amplifiers of the 1950s was the Fender Bassman, and it was also the basis of many guitar amp designs, including the Marshall line.
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MORE →The Marshall ‘Bluesbreaker’ model was one of the defining amps of the 1960s, though it was rapidly eclipsed by much higher powered and ever-louder models. The real, original name was the Marshall model 1961, a 30 watt amp with 4×10 inch speakers built for Eric Clapton. That was quickly replaced with a 2×12 version, the model 1962. The 1962 was what Clapton used while in John Mayall’s Bluesbreakers, and that gave the amp its nickname.
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MORE →The Xits X10 amp is based on a classic early 60’s Vox design using EL-84 tubes and delivering 15 watts through a single 12 inch speaker, in this case a Celestoin Greenback G12M.
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MORE →The Schertler David acoustic guitar amp is a compact, versatile unit designed for use in small venues, where a guitar, voice and perhaps a backing track are required.
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MORE →Built from 1969 to 1979 in the Toronto area, the Traynor YGM-3 Guitar Mate Reverb 25 watt 1×12 combo was a very common amp in the Canadian music world.
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MORE →The Mesa Boogie Mark IIB appeared in August of 1980, built till May 1983 and was the likely first guitar amp to provide a tube buffered effects loop.
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