One of the defining amps of the late 1970’s to mid 1980’s period, the Roland JC120 Jazz Chorus amp delivers a distinctive crystal clear, clean tones and shimmering chorus with enough power for most stages.
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MORE →One of the defining amps of the late 1970’s to mid 1980’s period, the Roland JC120 Jazz Chorus amp delivers a distinctive crystal clear, clean tones and shimmering chorus with enough power for most stages.
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MORE →This is a treat – a Fender 65 Princeton Reverb Limited Edition dressed in ‘Fudge Brownie’ colours! The Princeton was the amp of choice for many recording sessions.
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MORE →Here’s something new, but very retro – a nearly new Supro 1610RT Comet 1×10 combo amp, switchable between 6 and 14 watts.
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MORE →The Hiwatt DR-103 100 Watt amplifier is one the classic English Invasion amplifiers, seen and unquestionably HEARD in the backlines of many huge shows by bands like The Who, Jethro Tull, Pink Floyd, The Moody Blues, and many more.
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MORE →The Hiwatt DR504 50 Watt amplifier is one of the classic English Invasion amplifiers originating in the hottest periods of the Volume Wars. Known for large amounts of headroom provided by relatively low gain-preamps and high volume provided by custom transformers, these amps and its 100 watt cousins were found on stages with many of the largest acts of the time.
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MORE →One of the most commmon bass amplifiers of the 1950s was the Fender Bassman, and it was also the basis of many guitar amp designs, including the Marshall line.
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