The Carr Skylark 1×12 is a small amp with big features – twelve tube watts into a single 12 inch speaker, tube reverb, and a built in attenuator control that can take the output power down to one-hundredth of a watt.
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MORE →The Carr Skylark 1×12 is a small amp with big features – twelve tube watts into a single 12 inch speaker, tube reverb, and a built in attenuator control that can take the output power down to one-hundredth of a watt.
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MORE →Built from 1954 to 1957, the Gibson GA5 Les Paul Junior amp was one of Gibson’s early entries into the world of in-house built guitar amplifiers.
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MORE →The Gretsch Electromatic Amp was part of a line of amplifiers produced for Gretsch by Valco, who also built amps under names like National, Supro, and Oahu.
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MORE →Built from 1946 to 1965 in evolving forms, the Fender Pro Combo amp was the largest of three amplifiers offered when Fender opened. It was replaced in 1966 by the Pro Reverb.
From its first 18 watt incarnation to its 40 watt exit in favour of a Reverb-equipped model, the Fender Pro combo amp featured a single 15 inch speaker. As a higher powered amp, its ‘Harmonic Vibrato’ circuit differs from that used on models past the Vibrolux.
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MORE →The Fender Bassman 4×10 was used by countless professional and amateur musicians throughout North America – less so in Europe because of import duties and restrictions – and was the basis for many later classic amplifier designs. Notably, an English drummer turned music shop owner used this amp as the basis for his own designs, sold under the Marshall name.
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MORE →Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 45 watts by 1962, and was discontinued in 1963.
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