Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 45 watts by 1962, and was discontinued in 1963.
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MORE →Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 45 watts by 1962, and was discontinued in 1963.
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MORE →For years, it was very common to see the Fender Super Reverb on stages everywhere. Pushing 45 watts through a 4×10 speaker set, the Super Reverb packaged everything most players needed. These amps project well, and can be loud and clean. The Super Reverb was the 1963 evolution of the Super amp line that first appeared in 1947.
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MORE →Here’s something that brings back memories – a Fender Vibrolux Reverb amp in Blackface, dating to 1965 and with original transformers and Jensen speakers.
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MORE →One of the most commmon bass amplifiers of the 1950s was the Fender Bassman, and it was also the basis of many guitar amp designs, including the Marshall line.
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MORE →The Harmony H306 combo amp, delivering about 18 watts through a single 12 inch speaker, was one of many models produced by Harmony in Chicago, Illinois. Harmony was at one time the largest musical instrument manufacturer in the USA – which also meant in the world.
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MORE →First appearing in 1954 and built to 1974, the Fender Bandmaster amplifier transformed from a 26 watt single-15 inch combo to a 40 watt head and 2×12 cabinet set.
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