Built from 1978 to 1983, the MusicMan 112RD65 has a self-explanatory name – 1×12 speaker, Reverb and Distortion, and 65 watts.
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MORE →Built from 1978 to 1983, the MusicMan 112RD65 has a self-explanatory name – 1×12 speaker, Reverb and Distortion, and 65 watts.
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MORE →The HarpGear Double Trouble HG2 tube harmonica amp is hand built in Ocala Florida by Brian Purdy. One of the most portable amps HarpGear offers, Double Trouble delivers 18 watts through a pair of 8 inch speakers, here Weber 8sigA 15 watt, 4 Ohm AlNiCo models.
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MORE →The Fender Princeton Reverb II was built from early 1982 into 1986, ending not long after CBS sold Fender to a management team.
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MORE →Here’s a fantastic Fender Vibro-King 20th Anniversary combo amp from 2013, delivering 60 watts through a trio of ten-inch speakers.
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MORE →Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 40 watts by 1962, and was discontinued in 1963 as Reverb-equipped models displaced several designs. Here we’re looking at a Fender Super Brownface amp, with the ‘brownface’ trim putting it directly between the ‘Blonde’ and ‘Blackface’ eras. (In the vintage amplifier world, the terms ‘Brownface and’ ‘Blackface’ – referring to the amp’s white lettering on a brown or black control panel – have no relation to what those terms mean in current political or cultural contexts).
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MORE →The Fender Twin Amp was the go-to amp for performing and touring guitarists from 1952 to 1963, growing from 15 to 80 watts through two 12 inch speakers and finally replaced in 1963 by the Twin Reverb. By late 1959, the ‘Piggyback’ style of amp, with separate head and speaker cabinet entered production, and the Twin Amp was the most powerful Combo style amp available from Fender. The early ‘Piggyback’ amps – the Bandmaster, Bassman, Showman and Tremolux were wrapped in a ‘Blonde’ tolex, and the only combo to get that was the Twin Amp.
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