Here’s something new, but very retro – a nearly new Supro 1610RT Comet 1×10 combo amp, switchable between 6 and 14 watts.
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MORE →Here’s something new, but very retro – a nearly new Supro 1610RT Comet 1×10 combo amp, switchable between 6 and 14 watts.
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MORE →The Marshall ‘Bluesbreaker’ model was one of the defining amps of the 1960s, though it was rapidly eclipsed by much higher powered and ever-louder models. The real, original name was the Marshall model 1961, a 30 watt amp with 4×10 inch speakers built for Eric Clapton. That was quickly replaced with a 2×12 version, the model 1962. The 1962 was what Clapton used while in John Mayall’s Bluesbreakers, and that gave the amp its nickname.
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MORE →The Xits X10 amp is based on a classic early 60’s Vox design using EL-84 tubes and delivering 15 watts through a single 12 inch speaker, in this case a Celestoin Greenback G12M.
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MORE →Built from 1969 to 1979 in the Toronto area, the Traynor YGM-3 Guitar Mate Reverb 25 watt 1×12 combo was a very common amp in the Canadian music world.
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MORE →The Mesa Boogie Mark IIB appeared in August of 1980, built till May 1983 and was the likely first guitar amp to provide a tube buffered effects loop.
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MORE →Introduced in 1985, the Mesa Boogie Mark III was the third major version of this iconic ‘upgrade’ of the Fender Princeton. The original concept was built for an unsuspecting Barry Melton of Country Joe and the Fish, then tested and named by Carlos Santana. Built for at least five years, these amps can be dated by a coloured stripe above the power cord. These amps were rapidly adopted by professional players around the world, and have appeared on countless stages and recordings.
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