MUSIC SCHOOL - The Twelfth Fret

The Twelfth Fret Music School is one of Toronto’s best guitarists’ music schools. Our location offers on-site lessons for electric & acoustic guitar, bass, mandolin, violin/fiddle and banjo.   Our professional guitar teachers have extensive teaching and playing experience in pop, rock, blues, jazz, country, bluegrass, folk, modern fingerstyle and classical idioms.

The Twelfth Fret has a 40 year history of providing expertise to guitarist’s the world over. When you take lesson you make yourself available to the resource not only through your teachers, but of the instrument you play. Our staff of luthiers are available to help ensure your instrument plays the way you want it to. Our sales team will help guide you to the instrument which works for you. And our teachers are always reviewing our broad selection of on-hand instruments. We feel this provides a total package for you and your musical goals. We teach all levels, ages and styles, so whether you are a complete beginner, someone who can play a bit or an experienced guitarist seeking inspiration we will find a teacher that suits your style and skills level.

Start playing now and book a guitar lesson with one of our experts today!

TEACHERS

DAVID MARTIN

David Martin Teacher - The Twelfth Fret Music School

Classical | Acoustic | Fingerstyle

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David Martin began playing guitar at the age of 11. Initially concentrating on rock and pop music, he quickly formed local garage and basement bands with friends, and played his first bar gig at the age of 14.

David continued his studies at the Royal Conservatory of Music in Classical Guitar and Harmony, and later majored in Composition and Performance at Boston’s Berklee College of Music where he was the recipient of Berklee’s 1991 Achievement Scholarship.

David currently writes and performs music for solo acoustic and classical guitar which features a strong emphasis on fingerstyle techniques and various altered tunings.

David teaches in a relaxed atmosphere and likes to tailor lessons to each student’s goals and individual musical interests. A primary focus on the fundamentals of music, as well as “what the student enjoys about playing the guitar” are at the core of his approach.

Lessons can range from advanced harmony and composition techniques, to the latest hit songs on the radio, to a beginner’s first chords and anything between.

DAVID'S VIDEO DEMOS

G.W. BARRY MODIFIED CONCERT GUITAR

G.W. Barry OM Koa Guitar

WATERLOO WL-K SOUTHWEST

RICHARD SMYTH

Richard Smyth Teacher - The Twelfth Fret Music School

Guitar Fundamentals | Adult Beginners

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Richard Smyth began teaching himself guitar some 40 years ago by lifting blues and pop songs from records. He played his 1st professional gigs while still in high school in northern Ontario. After graduation he moved to Toronto and started playing in cover bands working in cities and towns along the 401 in southern Ontario. He gained enough experience to get accepted to Humber College’s jazz program , from which he graduated with honors.

Since that time Richard has kept busy playing live gigs, studio sessions and live musical theatre, while maintaining a student roster. He has written and recorded two CDs of guitar-oriented material , “Sleight of Hand” and “The Last Grab” (listen here: www.richardsmyth.ca ) He also wrote and recorded 2 books of guitar methodology called Modenomics , which were among the best sellers here at the 12th Fret for many years.

On the private teaching front, Richard offers a direct approach to fretboard knowledge, technique and application ,no matter the genre or musical context. His background is heavily influenced by Rock , Jazz, and Blues but he’s also been very successful with adult beginners , whom he says require an “adult brain approach”. His main objective is, he says to “have some fun with it all”. 

RICHARD'S VIDEO DEMOS

SCOTT CASSELLS

Scott Cassells Teacher - The Twelfth Fret Music School

Jazz | Rock | Country

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Bookings: Weekdays & Weekends

Scott’s goal as an instructor is to teach the fundamentals of music through songs that inspire his students to grow as musicians. He caters to the personal interests of each individual’s musical taste and provides a strong foundation of skills and theory that will help his students achieve their goals.

Scott started playing at the age of 12, taking classical guitar lessons with Tom Duffin. In addition to graduating with honours from Humber College’s Jazz program, Scott has studied with musician/ author Ted Greene. Scott has recorded and plays locally with different groups showcasing various styles of music – Rock, Jazz, Classical, and Country.
He appeared in Guitar Player Magazine’s spotlight feature Aug 1993.

“Scott Cassells is a terrific prog-fusion player with a Teflon-smooth melodic style admirable technique, and a treasure chest of tones.”~ SpotLight, Miller Freeman Publications.

SCOTT'S VIDEO DEMOS

GUITAR SOLO: Suhr Badger Fun

Graffiti Farm / Instrumental Guitar

TIPS FROM OUR TEACHERS

How To Spice Up Your Travis Picking by Using The Up Beats

Travis picking is a great tool that every fingerpicker should have in their bag.  It’s the backbone to many popular songs both past and present and offers the player almost endless variations. This article will just begin to scratch the surface of how to take simple alternating thumb patterns and turn them into more interesting ideas. Here is what I would consider to be about the most basic Travis style pattern.  We will be using a first position C major

Practicing, The Internet and 100 Conflicting Opinions

  My students will frequently ask me what my thoughts are on various online articles they may have come across.  It might be a specific video tutorial, maybe a how to hold your hands article or a how to structure your practicing time column.  There is a lot of information out there, much of it conflicting and a lot of it in my opinion misses the mark, in some cases by miles.  I remember in one case a student was

Playing A Simple Dead Thumb Blues

You know from the very beginning when something is called “dead thumb” it’s going to be cool!  The dead thumb technique is very old and many of the oldest blues and roots recordings feature it fully or in some variant form.  People interested in older blues styles will know the sound of this technique right away, but lately a number of newer, popular artists are revisiting it with great success and bringing it to a wider audience.  The artist Hozier